The Sennheiser MD 421 is a great drum mic because of its versatility. You may be familiar with the fact that the closer you hold a microphone to its audio source, the more “bass” it will pick up. I have divided them up into 3 main groups, beginning with the most important or essential microphones: Overhead microphones will typically be large diaphragm condenser mics, or small diaphragm condenser mics. To see which ones I recommend, check out this article: The other “most-important-element” of the kit is obviously the snare. The previous two microphones for kick drum that were mentioned are best used outside of the drum itself, usually pointed at the sound-hole. Also, you can always contour the frequency response to cut out 7 dB at around 400 Hz with the EQ switch on the microphone, to get a stronger low end punch. It’s a great kick mic for the money, and will certainly make you happy. The impressive AKG C 520 is the best headset microphone for drummers on the market. Your email address will not be published. This means that some the links on our site are affiliate links. The Shure SM57 is undoubtedly the best value for any microphone available, and it’s certainly one of the best-selling mics in the world. “In addition to capturing drums and percussion,” Carlsson continued, “I’ve also used my MA-200s for backing vocals, saxophone, and acoustic guitar. To my ear, EQ often smears the attacks. The look and even feel of the microphone may be a little bit deceiving to some who are not familiar with the Sennheiser MD 421 II drum mic. The upgraded version AKG D112 MKII is very easy for kick drum miking because of its flexible mic mount, you can now mike it in any angle you want. In terms of sound, it’s difficult to match the Sennheiser MD 421 II drum mic with any other microphone. To cover a standard kit, an engineer could use anywhere from two to a dozen-or-so mics depending on: And since most home studios have far less mics that they would prefer…. It has a frequency response of 30 Hz to 17 kHz, which very decent for the use of drum miking. But we’ll talk about overhead primarily because that’s what it’s mainly known for. The C-2 Stereo overhead mics for drums are no different. You can drop it, slam it, smack it, and the thing still works. MusicProductionNerds.com is a participant in a variety of affiliate programs, such as Amazon Associates and Loopmasters Affiliate Program. But essentially, there are a few requirements that you need to keep in mind. It’s a classic, it was released in 1978, and has been used on tons of popular and professional recordings. Large diaphragm condenser microphones often have the widest sonic signature. It’s an amazing microphone for the price, and practically a hidden jewel among profession budget microphones. For this project, we used two Mojave MA-200 mics in several different ways. Dynamic microphone with cardioid pattern best for recording snare, tom, timbale, and percussion. Copyright © 2021 MusicProductionNerds.com, 12 Best Ableton Live Tutorials – For Beginners to Advanced Producers. In addition to that, the diaphragm is robust, it can withstand an SPL of up to 149 dB, making it great for close miking your drums. Being that these are condensers, you can expect the sort of high quality that comes from a value condenser microphone. When it comes to specs, like I mentioned in the last paragraph, the Shure SM-81 drum mic is a small diaphragm condenser microphone, with a front-address cardioid polar pattern. Thanks to them, you can switch the mic settings to fit your toms. And they give snares a nice full bodied sound that the typical dynamic microphone would miss. This can be challenging when you want to do “close miking” on a percussion instrument, but you don’t like how “boomy” it might sound. So you want to make sure you get those in your mix. The Meteorite is incredibly portable, making it the best Zoom microphone for users who travel regularly. And, you will also notice, that the drums would sound amazing because of it. The preferred option in this case, is a cardioid small diaphragm condenser…. That means you don’t have to do as much massive EQing to get out that boxy mid frequency sound in your kick drums. Being a specialty microphone for toms and snare, the e604 is actually a affordable option. So with a 4-channel setup, this is the next mic I recommend adding. So you can either screw it onto your microphone stand and push it right up against your drum, or use the adjustable clip to mount it directly onto the rim of your snare. Like practically any kick drum microphone, you can use it on the floor toms as well. The result? It’s interesting that it has “MD” in the name, you could probably consider it the “MD of snare and tom mics” because that’s where it gets its best reputation. Low cut filters (or bass roll-off switch) can allow you to place your microphone as close as you want to your instrument, yet attenuate any unpleasant mid to low-end effects. It is a classic microphone, with its origins going all the way back to 1960 when it was released. When it comes to dynamic microphones for this price, this one is a definite recommend, for both the budget user and high-end studio use. It has a front address cardioid polar pattern which makes it quite good at isolating the sounds that are around it to focus on the instrument you point it at. One popular choice is the SM57, as most studios already have several-on-hand. Playing Live and in the Studio, they can be quite versatile especially if they are miked properly. Featuring a patented microphone clamp, this device can easily be affixed to your snare drum, but also works well with other percussion instruments as well as tom drums. In either case, I will make mention, in the microphone descriptions, how each microphone responds across the frequency range. If you want to mic your hi-hat individual, you can use a good small diaphragm condenser microphone to get the job done. The Shure SM57 is one of the most universally known, and used, microphones in the world. Design-wise, the microphone is actually quite small. The cheapest condenser microphone in this list. SDs). For that reason, it’s most popular application is on stage. It’s a fairly common sense decision for those that are serious about proper drum miking. Large Diaphragm Vs Small Diaphragm Mic Pairs? Finally, a comparison of that against forum reviews, user testimonials, and personal experience (where applicable) was used to narrow down the choices. The standard choice for room mics is a matched pair of condenser mics (either large or small). And herein lies the issue…. Bottom-line, the Shure Shure SM-81 drum mic is a great little microphone if you’re on a budget and want to get some great sounding overheads. Particularly on getting smoother sounding hi hat and cymbals. How To Choose an Overhead Drum Mic. Spec-wise, the Neumann KM 184 drum mic is a small diaphragm condenser microphone with a front address cardioid polar pattern. It has a matte black finish with a sleek and very attractive (to me) design. Additionally, the AKG C414 XLS drum mic has three switchable pads that can lower your audio source by up to -18dB, and three switchable low-cut filters for rolling off bass. Users also generally hate the plastic microphone clip. But it has a particular characteristic that makes it different from the Shure Beta 52A that is mention in this guide. Hopefully, this guide was able to help you decided on the right buying choice for you. Dynamic microphone with cardioid polar pattern best for recording snare, toms, timbale, and percussion. Question. You can expect a not too bright yet well balanced sound. Being large diaphragm condensers also, they can handle the power of the snare and toms cutting through, and give the kick adequate push in your recordings. And besides being one of the best drum mics around the place, it’s super flexible enough for all your other sound sources. These are the best budget overhead drum mics. Some producers have even found that, besides a little gate and compression, there was practically no need to EQ the drum sounds this microphone was able to record. However, for the lucky few with enough space, and enough gear…, A well recorded track of acoustic drums can be the difference between a song that sounds like it was done…. One of those choices is the Shure Beta 52A drum mic. The microphone is considered smaller than the usual kick mic, and relatively lightweight as well. The mic is ideal not only for snares but also for guitars, keyboards, toms, and congas. For that reason, you can also use it on floor toms. It responds to dynamics very well, picking up all the subtle nuances of your snare drum. Avantone Audio CR-14. There are a few options in this list for great dynamic drum mics for kick drum and floor tom. So if you can use this kick drum microphone for recording sub bass in your kicks. There is a nice roundness to the way it sounds, particularly when picking up the low end of a tom. You will need a stereo pair of these microphones as well. It has a frequency response of 20 to 20,000 Hz, and with the ability to attenuate the low end with the 300 Hz low-cut filter. Which is why in this article, I reveal the most popular (and ideally most affordable) mic options for recording drums at home. Which is why, if there’s one cymbal that deserves its own mic, it’s this one. Each of the microphones we’ve listed below will suit a certain use, whether that’s accurately recording the microscopic details of a vintage acoustic guitar or grand piano, or embellishing the sound of a great vocal performance. Many users also enjoy the fact that it has a very tight pickup pattern, so you won’t get too much of your other drum sounds in the mic. Condenser mic with multiple polar patterns best for drum overheads and room recordings. Either way, the microphone sounds great, as it was designed to capture the particular sonic signature of the bass in the kick. When you purchase it, you get a shock-mount and metal storage case. We also love the Shure SM57 Microphone for its versatility. Just like a cookie-cutter trap set won’t hold your tune, a one-size-fits-all microphone setup won’t always fit your kit. As they already receive good coverage from the overhead/room mics. I found the best way for me to mic a djembe or ashiko is to use a CAD TSM411 mic about 2" from the top rim and a CAD KBM412 about 1" below the bottom hole. The SM57 drum mic also has a 40Hz-15kHz frequency response, with a presence peak that gives it the sense of clarity that makes it so popular. In fact, Neumann describes the sound of the Neumann KM 184 drum mic as “fresh and livelier” than their previous model (the KM84). The best microphones right now. The kick drum is the next important sound source to focus on. Honest Gear Suggestions for Home Studio Owners and Music Producers. Meaning, it’s a condenser with half-cardioid polar pattern that will pick up anything around the surface, or “boundary” of the place it is set (such as on a thick folded blanket inside of a kick). Spec-wise, the SM57 drum mic is a dynamic microphone that has a natural way of capturing sounds without there being a lot of frills. It has a frequency response of 40 Hz – 18 kHz, contoured specifically for the toms, percs, and snare. Look at the style of music you are miking. Dynamic microphone made for recording snare, toms, timbale, and percussion. If you click on one of these links to purchase a product or service that we recommend, we will be compensated it. This is definitely one of the more “intimate” microphones you can use to record your drums in a studio. These are very high frequency sound sources. This is thanks to the low-noise amplifier circuitry within the microphone. This makes it just about one of the most quiet microphones you to buy, period. What also makes the AKG P420 drum mic perfect for recording your drum room or as an overhead pair, is its SPL (sound pressure level). This means a super neutral and uncolored kick sound. The 5 Best Microphones for Recording Drums. There are three reasons why the Shure Beta 91A drum mic makes an exceptional kick drum microphone. If you only have two channels to record an entire kit…, The two mics you undoubtedly use are a pair of overhead/room mics…. And it’s also one of the best microphones you can use for snare drum.

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